The 2011 colloquium, Revisioning the Indians of Canada Pavilion: Ahzhekewada (Let us look back), co-produced by the Aboriginal Curatorial Collective and OCAD University’s Aboriginal Visual Culture Program, traced a history of decisive moments for Aboriginal art and curatorial practice.
With the States of Postcoloniality series, FUSE set out to engage the roles of artists and the arts in a global politics of decolonization. With this issue, we are concerned with art’s contribution to Indigenous sovereignty in the North.
Issue 35-2 Contributors: Jackie Price; Vanessa Dion Fletcher; Lucas Ittulak; Ravi de Costa; Art and Cold Cash; Agata Durkalec; Heather Iloliorte and Billy Gauthier; Mark Igloliorte; Anna Hudson; Amy Zion; Chris Gehman; Bart Gazzola; Amy Fung
Contributors: Harsha Walia, Syed Hussan, Max Haiven, Erin Konsmo & Louis Esme Cruz, Etienne Turpin, Kevin Smith & Clayton Thomas-Muller, Nasrin Himada w/ Red Channels, Haseeb Ahmed, Peter Morin, Chase Joynt & Alexis Mitchell, Linda Grussani, Natalie Kouri-Towe, Julian Jason Haladyn & Miriam Jordan, Nahed Mansour
Film curation and exhibition necessarily become essayistic practices, critical programs in poetic dialogue with social reality. While history offers innumerable instances in which the imperialist impulse of commercial film distribution and exhibition has used the developing world as grist for its mill… —Aliza Ma
A striking aspect of the Egyptian revolution is the frenzy of creative response and accelerated cultural production that has gripped Cairo and other parts of the country. The creativity and sense of urgency expressed in the streets continue on as competing groups give voice to their visions for the country’s future. —Joseph Banh
By embodying social antagonism within urban space, riots such as the Battle of the Camel often fall prey to the accusation of destructiveness, a claim that overlooks the far more destructive role played by capital within social relations on an ongoing basis. Riots shift the power to disrupt urban space from capital and the state to the riot’s collective body. —Olive McKeon
“I think institutions perform their independence in order to survive and be able to receive the little financial support that is available. I think that as an institution there is a certain performativity of independence that calls for constant posing as the alternative to the official discourse. But with ACAF, on a working level, we’ve tried to avoid that as much as we can.” —Bassam el Baroni (Alexandria Contemporary Arts Forum)
No Reading After the Internet has invited FUSE to co-present their November salon, which will feature research material from FUSE’s upcoming issue. Through group reading and discussion, we will consider the current “Occupy” movement in relation to colonial dynamics in Canada.
November 2 2011, 7PM @ LIFT (1137 Dupont, Toronto)
Putting together a shortlist of some of our favourites so far, not limited to Canada…