Fuse Magazine Index of Names
26:3— After the Pedagogical Turn: An Online Roundtable on Film and Video Programming and Curating. Roundtable by Rinaldo Walcott, Richard Fung, Roger Simon, Tracey Bowen, Ellen Flanders, and Kim Simon, pp. 36-44. (available online)
28:1— Building an Inventory. Column by Jamelie Hassan, pp. 34-40. (available online)
27:1— Setting the Table: Collective bargaining for the visual arts. ShortFuse by Carole Conde, pp. 44. (available online)
16:5&6— Working through Cultural Appropriation. Feature by Richard Fung, pp. 16-24. (available online)
23:1— From Dada To Data: A Brief Survey Of Online Performance. Feature by Kathy Kennedy, pp. 31-34.
23:3— "Constructing Female Identities: Meaning making in An Upper Middle Class Youth Culture" (SUNY Press). Book Review by Rebecca Raby, pp. 44-46. (available online)
28:1— Building an Inventory. Column by Jamelie Hassan, pp. 34-40. (available online)
17:5&6— "Radio Rethink: art, sound and transmission" (Walter Phillips Gallery Press). Book Review by Ann Shin, pp. 47-48.
16:4— Shuttling Subjects through Space Histories: 4 books on artist-run history. Book Review by Clive Robertson, pp. 31-34.
24:1— "Live At The End Of The Century: Aspects Of Performance Art In Vancouver" (Visible Arts Society, Vancouver). Review by Johanna Householder, pp. 38-39.
26:3— Source: An Exhibition of Media Art Installations (Images Festival). Review by Daniel Baird, pp. 49-51. (available online)
26:3— The Privatization of the AGO: Ken Thomson and the New Generosity. ShortFuse by Tony Rae, pp. 52. (available online)
16:2— "Twist and Shout: A Decade of Feminist Writing in This Magazine" ed. Susan Crean (Second Story Press). Book Review by Diana Bryden, pp. 35. (available online)
28:1— Building an Inventory. Column by Jamelie Hassan, pp. 34-40. (available online)
21:2— Inside Out/Outside In?: Ruminations on Media Arts Festivals, Arts Funding, Video Art, AIDS, Queerness and Community. Column by Andrew James Paterson, pp. 11-16.
29:1— resistance Practices after Identity Politics: La Pocha Nostra's "The Other Coalition Forces". Review by Irmgard Emmelhainz, pp. 45-48. (available online)
26:1— Addressing Infrastructure: Portable initiatives, collapsible forms. Feature by Craig Buckley, pp. 20-29. (available online)
22:1— Representing Rights: The Symposium on the Artist and Human Rights, Ottawa. Review by Janet Creery, pp. 51-52. (available online)
18:1— "Miscegenation Blues: Voices of Mixed Race Women" (Sister Vision Press). Review by Honor Ford-Smith, pp. 30-31.
26:4— "Will" (A Space). Review by Naomi Binder Wall, pp. 41-. (available online)
22:4— Where the South and the North Meet: Latino identity and cultural hegemony. Feature by Alberto Gomez, pp. 26-32. (available online)
23:3— "Corpus Delecti: Performance Art Of The Americas" (Routledge). Book Review by Meera Sethi, pp. 42-43. (available online)
23:3— Compulsive Consumption: The "Possession" of Anne Ramsden (Catriona Jeffries Gallery). Review by Johanna Mizgala, pp. 32-34. (available online)
28:3— From Conceptual to Community Art: A Conversation with Carole Conde and Karl Beveridge. Interview by Craig Leonard, pp. 33-40. (available online)
26:4— The Seeds of Disruption. Column by Mark Jones, pp. 20-23. (available online)
18:4— Scattered at the Margins: "Out in Context: Work by Queer Students of the Emily Carr Institute of Art and Design". Review by Andrea Fatona and Gordon Brent Ingram, pp. 30-31.
27:2— Rob Kovitz's "Ice Fishing in Gimli": Winnipeg, where the moon is full every night (Gallery Oneoneone, Winnipeg). Review by Jeanne Randolph, pp. 41-46. (available online)
18:1— Hair of the Dog? Perspectives on Artists of South Asian Descent in Britain. Feature by Sonali Fernando, pp. 16-25.
16:4— Biennial Bliss: The 1993 Whitney Biennial. Review by Robert F. Reid-Pharr, pp. 35-38.
17:1— Cruising Media: Serial Killers and other "Undesirables". News by Ian Rashid, pp. 06-7.
18:1— Ian Rashid: Beyond Destination, Beyond Identity. Interview by Atif Ghani, pp. 11-15.
16:2— Chaotic Kinds of Dreams: Profile of Rungh Cultural Society. Review by Lloyd Wong, pp. 46-47. (available online)
16:4— Blasted Categories: Observations on desh Pardesh and Recent South asian Film and Video. Column by Ian Rashid, pp. 15-18.
16:4— No More Multivulturalism: Desh Pardesh Third Intra-national Festival and COnference. News by Kaushalya Bannerji, pp. 06-07.
27:1— The Dunlop Art Gallery: A Tale of Governance. Feature by Merrilee Rasmussen, pp. 28-30. (available online)
18:1— India Now! (Toronto International Film Festival). Review by Raghu Krishnan, pp. 33-36.
25:2— Superheroics and Sire Made Fresh: What do Girls ( and Women) Want?. Column by Kat Dodds, pp. 11-14. (available online)
26:4— The Seeds of Disruption. Column by Mark Jones, pp. 20-23. (available online)
17:1— "Returning the Gaze" (Sister Vision Press). Book Review by Hazelle Palmer, pp. 39-40.
28:4— Making Books the Hard Way: "Off Printing: Situating Publishing Practices in Artist-run Centres" (RCAAQ). Book Review by Sally McKay, pp. 40-42. (available online)
20:3— Ignoring the Role of Violence in Fanon, Playing with the Bones of an Exumed Hero. "The Fact of Blackness" (ICA, Bay Press). Book Review by Julian J Samuel, pp. 44-46. (available online)
17:2— "A Cup for a Cup" (Forest City Gallery, London ON). Review by Cyril Reade, pp. 33-34.
27:2— Reviving the Dead: Art and the Twentieth-century Hospital. Feature by Annmarie Adams, pp. 16-23. (available online)
21:2— Representing Dissent: Talking About "Politically Speaking" (Douglas and McIntyre). Book Review by Mary-Jo Nadeau and Renuka Sooknanan, pp. 48-52.
17:3— "In the Seam/En couture" (Access Art Now, Toronto). Review by Laura U Marks, pp. 42-43.
22:4— "Waste Management" (AGO, Toronto). Review by Dana Samuel, pp. 49-50. (available online)
23:1— "Stamina" (Red Head Gallery, Toronto). Review by Darien Taylor, pp. 47-48.
23:2— "Shadow States: Carol Laing" (Red Head Gallery, Toronto). Review by Janice Andreae, pp. 43-45. (available online)
24:3— breathtaking: Sue Lloyd's "searchworks" (TPW) and "chest cavity" (Red Head Gallery). Review by Janice Andreae, pp. 35-37. (available online)
26:3— Tea and Gossip: Linda Duvall's Tea Party (Red Head Gallery). Review by Andy Fabo, pp. 45-46. (available online)
21:1— Undoing Diasporic Dyke(otomies): An interview with De Poonani Posse. Interview by Shanikwa Sapphire, pp. 40-42.
29:1— The Gentrification of Gentrification and other strategies of Toronto's creative class. Artist project by Adrian Blackwell, pp. 28-37. (available online)
27:2— Letters to the editor. Letter by various writers, pp. 08-9. (available online)
16:2— Fire: programme at the 6th New York Lesbian and Gay Experimental Film Festival. Review by Robert F Reid-Pharr, pp. 40-41. (available online)
16:4— Biennial Bliss: The 1993 Whitney Biennial. Review by Robert F. Reid-Pharr, pp. 35-38.
17:2— Mix: The 7th New York Lesbian and Gay Experimental Film and Video Festival. Review by Robert F. Reid-Pharr, pp. 43-44.
17:5&6— "Music/Sound 1948-1993: The Michael Snow Project" (Alfred A Knopf). Book Review by Steve Reinke, pp. 50-51.
18:4— "Steve Reinke: The Hundred Videos" (YYZ, Toronto). Review by Tom Folland, pp. 34.
18:5— "Mirror Machine: Video and Identity" (YYZ Books). Review by Steve Reinke, pp. 38.
19:1— Not Just a Pretty Face: "Corpus Loquendi: Body for Speaking-Body-Centred Video in Halifax 1972-82" (Oakville Galleries). Review by Steve Reinke, pp. 37-38.
22:1— Representing Rights: The Symposium on the Artist and Human Rights, Ottawa. Review by Janet Creery, pp. 51-52. (available online)
17:1— "Ghost" (Gallery 76, Toronto). Review by Jennifer Rudder, pp. 30-32.
21:2— Ceci n'est pas une archive: "Browser" (Artropolis '97, Vancouver). Review by Caterina Pizanias, pp. 38-40.
21:3— Letter to the editor: Artropolis. Letter by Clive Robertson, pp. 06.
19:1— Not Holding Still: "AlterNative (McMichael Canadian Art Collection). Review by Caroline Stevens, pp. 34-35.
20:3— DISTRESS. Artist project by Arthur Renwick, pp. 18-19. (available online)
22:1— "Reservation X" -- The Power of Place in Aboriginal Contemporary Art (Museum of Civilization, Ottawa). Review by Marilyn Burgess, pp. 49-51. (available online)
27:2— Art ahead. Artist project by Arthur Renwick, pp. 24-25. (available online)
27:2— A Bad Review for Gary Michael Dault. ShortFuse by Richard William Hill, pp. 52. (available online)
19:1— The Chill Continues: Artists after Bill C-128. Column by Elaine Carol, pp. 12-17.
16:3— "Calisthenics," curated by Leo Beaulieu (Metro Central YMCA). Review by Susan Kealey, pp. 44-45.
26:2— Listening material: "Democracy When?" and an art practice of organizing. Column by Ultra-red, pp. 26-31. (available online)
18:3— "Guy To Goddess: An Intimate Look at Drag Queens" (Whitecap press) and "Ladies, Please!" (Exile Editions). Book Review by Brian John Busby, pp. 35-36.
19:3— "Ron Benner: All That Has Value" (Edmonton Art Gallery, Edmonton and Presentation House Gallery, Vancouver). Review by Joan Richardson, pp. 41-42.
22:1— "Reservation X" -- The Power of Place in Aboriginal Contemporary Art (Museum of Civilization, Ottawa). Review by Marilyn Burgess, pp. 49-51. (available online)
29:1— Building on Running Water: Rebecca Belmore's "Fountain". Review by Richard William Hill, pp. 49-51. (available online)
18:1— Toronto International Film Festival. Review by Vance Chapman, pp. 37-40.
16:5&6— Tim Miller and Marlon Riggs at Images 1993. Review by Randi Spires, pp. 65-66. (available online)
18:3— AIDS Testimonials: The Possibilities of Telling One's Own Story. Column by Jose Francisco Ibanez-Carrasco, pp. 07-10.
18:5— Pornutopian Premises, Positive Practices: Michael Balser's Video Art and Activism. Feature by David McIntosh, pp. 21-27.
16:4— "Black Popular Culture" A project by Michele Wallace, edited by Gina Dent (Bay Press). Review by karen augustine, pp. 29-30.
23:2— Jenni's Web: Jennicam, Techno-Filters, And The Boys' Club. Feature by Earl Miller, pp. 22-29. (available online)
17:2— The Rising Sun in the Media. Column by Scott McFarlane, pp. 12-13.
18:5— Pornutopian Premises, Positive Practices: Michael Balser's Video Art and Activism. Feature by David McIntosh, pp. 21-27.
17:1— "Telematic Performance" Loops Toronto and Quebec (Interaccess and Obscure). Review by Mary Anne Farah, pp. 41-42.
21:3— "Suggestive Poses: Artists and Critics Respond to Censorship" (TPW and Riverbank Press, Toronto). Book Review by Andy Fabo, pp. 54-55.
21:2— Representing Dissent: Talking About "Politically Speaking" (Douglas and McIntyre). Book Review by Mary-Jo Nadeau and Renuka Sooknanan, pp. 48-52.
17:1— "Telematic Performance" Loops Toronto and Quebec (Interaccess and Obscure). Review by Mary Anne Farah, pp. 41-42.
16:2— Funding Watch. News by Clive Robertson, pp. 08-09. (available online)
16:3— Invested Interests: Competitive and Dysfunctional Autonomies within the Canadian Art System. Feature by Clive Robertson, pp. 12-22.
16:4— Shuttling Subjects through Space Histories: 4 books on artist-run history. Book Review by Clive Robertson, pp. 31-34.
17:1— Youth Cruci-fiction at L'Ascension: "Kaiashits/Boneman" (Innuinuit Theatre Company). Review by Clive Robertson, pp. 37-39.
17:4— Ineluctable Studies: Collective Autobiographies of the Knowledge Class (five cultural studies anthologies). Book Review by Clive Robertson, pp. 34-36.
18:4— Theme-Park Management at the Canada Council: Contextualizing the New Strategic Plan, and an Interview with Author and Council Director Roch Carrier. Column by Clive Robertson, pp. 08-11.
18:5— A Newer Laocoon: Towards a Defense of Artists' Self-Determination Through Public Arts Funding. Feature by Robert Labossiere, pp. 14-19.
18:5— "But is it Art? The spirit of Art as Activism" (Bay Press) and "Sightlines: Reading Contemporary Canadian Art" (Artexte). Review by Clive Robertson, pp. 38-40.
19:2— Where Have All the FILE's Gone?. Letter by Clive Robertson, pp. 06.
20:2— Introduction to the 20th Anniversary Retrospective Issue. Editorial by Susan Kealey and Clive Robertson, pp. 13-15, 17. (available online)
21:3— Dennis Tourbin (obituary):1946-1998. Obituary by Clive Robertson, pp. 12.
21:3— Letter to the editor: Artropolis. Letter by Clive Robertson, pp. 06.
22:3— Custody Battles: Changing the rules at the Canada Council. Column by Clive Robertson, pp. 36-45. (available online)
25:4— Simple pasts and future perfects?. Column by Clive Robertson, pp. 28-34. (available online)
27:2— Looking Back while Moving Forward: A response to InFest: Artist Run Culture and the formation of a new national association of artist-run centres. Feature by Clive Robertson, pp. 26-36. (available online)
28:1— Launching a new ARTSWORLD: Trusted? Connected? Canadian?. Column by Clive Robertson, pp. 08-13. (available online)
28:1— Patronage, Artistic License and Kissing the Rich Guy's Ass. Column by Marcus Miller, pp. 14-16. (available online)
28:2— Letter to the Editor. Letter by Francois Lachapelle, pp. 07-8. (available online)
19:4— Native Love: Subverting the Boundaries of the Heart (curated and developed by Nation to Nation, Saskatoon, 1996). Feature by Ahasiw Maskegon-Iskwew, pp. 24-43.
25:1— "Canvas of War" (AGO, Toronto). Review by Kirsty Robertson, pp. 41-42. (available online)
17:1— Untitled. Artist project by Kelly Wood and Lisa Robertson, pp. 24-25.
27:2— Lucille Robichaud's "Dermis: Repertoire of Skins" (UNB Art Centre, Fredrickton). Review by Roslyn Rosenfeld, pp. 50-51. (available online)
23:1— The Concrete Ceiling: Class, Culture & Toronto's Portuguese. Feature by Anna Camara, pp. 22-30.
20:4— Notes on "Scoping Boys and Scoping Girls" (Gallery TPW). Review by Robert W.G. Lee and Lee Rodney, pp. 41-42. (available online)
22:1— "In Lieu": Installations in Public Washrooms (Public Access, Toronto). Review by Lee Rodney, pp. 47-48. (available online)
29:2— Have you left the American Sector Yet? Ron Terada's Adventure in the "City of Roses". Column by Lee Rodney, pp. 08-12. (available online)
27:2— Looking Back while Moving Forward: A response to InFest: Artist Run Culture and the formation of a new national association of artist-run centres. Feature by Clive Robertson, pp. 26-36. (available online)
29:2— On the horizon (casting shadows): Vancouver art, economies and hte pitfalls of success. Review by Vanessa Kwan, pp. 45-47. (available online)
25:2— Three Short Essays on Growning Up. Feature by Terence Dick, pp. 28-37. (available online)
28:3— Black Arts: An idea ahead of its time: "Shades of Black: Assembling Black Arts in 1980's Britain" (Duke University Press). Book Review by Sunil Gupta, pp. 41-43. (available online)
17:1— "Telematic Performance" Loops Toronto and Quebec (Interaccess and Obscure). Review by Mary Anne Farah, pp. 41-42.
18:5— Sorry, Wrong Number: "Press Enter: Between Seduction and Disbelief" (The Power Plant, Toronto). Review by Clint Burnham, pp. 28-29.
22:4— Memory Loss: The Fear of Replicated Intelligence. Feature by Earl Miller, pp. 18-25. (available online)
26:3— Source: An Exhibition of Media Art Installations (Images Festival). Review by Daniel Baird, pp. 49-51. (available online)
24:3— Study Skins: "The Final SleepÉLe Dernier Sommeil" (ROM, Toronto). Review by Scott Sorli, pp. 30-31. (available online)
28:3— Blur: Andrew Forster/PUSH-Montreal's "Cinema (O fim de Orfeu)" (Societe des arts technologiques). Review by Ellen Moffat, pp. 46-48. (available online)
16:2— Dreamspeakers Showcases Aboriginal Talent. News by Terry Lusty, pp. 06-07. (available online)
22:1— "Reservation X" -- The Power of Place in Aboriginal Contemporary Art (Museum of Civilization, Ottawa). Review by Marilyn Burgess, pp. 49-51. (available online)
22:1— Cultural Markings, Cultural Appropriation: The Art of Mehndi. Column by Renuka Sooknanan, pp. 13-17. (available online)
18:5— "Making the Terrain: New Genre Public Art" (Bay Press). Review by Deborah Root, pp. 41-42.
19:2— Fantasies of Conquest: "If Only I Were An Indian" (Zemma Pictures/NFB) and "Indian Princesses and Cowgirls: Stereotypes from the Frontier" (Oboro, Montreal). Review by Deborah Root, pp. 46-47.
19:5— Ritual Practices: Projecting Art and Magic Across Borders. Feature by Deborah Root, pp. 14-22.
21:2— To Knit the Country with Iron Bars: Art and Politics in Contemporary Turkey. Column by Deborah Root, pp. 20-27.
23:2— Breaking Bread Over "Foodculture" (YYZ Books, Toronto). Book Review by Renuka Sooknanan, pp. 48-53. (available online)
21:3— When You Loose That Person, Then Who Are You? Interview with Sheree Rose. Interview by Cathy Busby, pp. 36-40.
19:3— Analyzing the Groove: "Black Noise: Rap Music and Black Culture in Contemporary America" (Wesleyan University Press). Review by Chris Wodskou, pp. 46-47.
26:3— The Public Space of Memory: Opening to the Future of Justice. Feature by Joseph Rosen, pp. 28-35. (available online)
24:3— Take good care of it, it is my whole life: Encounters with Charlotte Salomon's address to the living. Feature by Sharon Rosenberg, pp. 20-29. (available online)
27:2— Lucille Robichaud's "Dermis: Repertoire of Skins" (UNB Art Centre, Fredrickton). Review by Roslyn Rosenfeld, pp. 50-51. (available online)
26:3— Self-preservation? A missed encounter between populist politics and cultural practitioners. Column by Ava Bromberg, pp. 10-12. (available online)
25:3— "Thelma Rosner: STILL LIFE" (Glendon Gallery, Toronto). Review by Patrick Mahon, pp. 42-44. (available online)
16:4— Like Apples and Oranges: Lesbian Feminist Responses to the Politics of "The Body Politic". Feature by Becki Ross, pp. 19-28.
18:5— "Mirror Machine: Video and Identity" (YYZ Books). Review by Steve Reinke, pp. 38.
29:2— Read Handed: "Caught in the Act: an anthology of performance art by Canadian Women". Book Review by Leah Sandals, pp. 39-41. (available online)
28:3— Persevering Realpolitik: A Conversation with Marie-Helene Cousineau of Arnait Video Productions. Interview by the Cache Collective, pp. 15-19. (available online)
28:3— Persevering Realpolitik: A Conversation with Marie-Helene Cousineau of Arnait Video Productions. Interview by the Cache Collective, pp. 15-19. (available online)
16:2— Dreamspeakers Showcases Aboriginal Talent. News by Terry Lusty, pp. 06-07. (available online)
17:4— Ineluctable Studies: Collective Autobiographies of the Knowledge Class (five cultural studies anthologies). Book Review by Clive Robertson, pp. 34-36.
18:4— "Teaching to Transgress: Education as the Practice of Freedom" (Routledge). Review by Rachel Ariss, pp. 42-43.
23:2— "Multicultural States: Rethinking Difference And Identity" (Routledge). Review by Carmela Murdocca, pp. 54-55. (available online)
23:3— "Corpus Delecti: Performance Art Of The Americas" (Routledge). Book Review by Meera Sethi, pp. 42-43. (available online)
25:3— "Bollywood Cinema: Temples of Desire" by Vijay Mishra (Routledge). Book Review by Gurbir Singh Jolly, pp. 50-51. (available online)
16:1— "Inside/Out: Lesbian Theories, Gay Theories" ed. Diana Fuss (Routledge Press). Book Review by Tom Folland, pp. 32-33.
17:1— Black is Back! Toronto Festival of Festivals (1993). Review by Glace W Lawrence, pp. 33-36.
29:2— On the horizon (casting shadows): Vancouver art, economies and hte pitfalls of success. Review by Vanessa Kwan, pp. 45-47. (available online)
25:3— Culture Crash. ShortFuse by Kathy Walker, pp. 52. (available online)
29:2— Aesthetics and Ethnics: Contemporary US curatorial strategies and the "post-ehtnic". Feature by Viet Le, pp. 18-28. (available online)
17:1— "Ghost" (Gallery 76, Toronto). Review by Jennifer Rudder, pp. 30-32.
17:3— "Spontaneous Combustion" (610 - 1 Queen St E, Toronto). Review by Jennifer Rudder, pp. 39-41.
25:2— "Ultra Baroque: Aspects of Post Latin American Art" (AGO, Toronto). Review by Daniel Baird, pp. 45-48. (available online)
19:5— Intersexions: "Issues of Race and Gender in Canadian Women's Writing" (Creative Books, New Delhi). Review by Katarzyna Rukszto and Mary-Jo Nadeau, pp. 47-48.
20:4— Up for Sale: The Commodification of Canadian Culture. Column by Katarzyna Rukszto, pp. 07-11. (available online)
19:5— Life and life support systems: zines, nets and outlets by artists--the late '70s & some now. Feature by Judith Doyle, pp. 23-33.
16:2— Chaotic Kinds of Dreams: Profile of Rungh Cultural Society. Review by Lloyd Wong, pp. 46-47. (available online)
20:5— Biocolonization and Biopiracy: The Final Frontier. Feature by Jeannette Armstrong, pp. 17-19. (available online)
18:2— A Gaze Blank and Pitiless as the Sun. Column by Jim Russell, pp. 07-12.
19:1— Mommy-Daddy-Tommy: The Theatre of Family Values. Column by Gary Genosko, pp. 18-21.
29:1— The Gentrification of Gentrification and other strategies of Toronto's creative class. Artist project by Adrian Blackwell, pp. 28-37. (available online)
16:3— Some of these are not like the others (Kodak Lecture Series 1992-3). Review by Paula Gignac, pp. 37-39.
16:1— The 'Post-colonial' Imagination. Column by Lee Maracle, pp. 12-15.
21:4— Su Rynard: "Life Tests" (YYZ). Review by Earl Miller, pp. 59-60. (available online)
