Fuse Magazine Index of Names
27:4— Artists, Rebels, Warriors: Desh Pardesh's Legacy and the Future of Radical South Asian Art. Column by Leah Lakshmi Piepznsa-Samarasinha, pp. 11. (available online)
16:3— Gathering: The Memorial Project (A Space). Review by Christopher Eamon, pp. 40-41.
16:4— Diana Thompson and Andrea Ward's 'Correspondences' (A Space) . Review by Nancy Goldhar, pp. 41-43.
17:2— Multiplying Desires: A Discussion of 'Remapping Tales of Desire' (A Space). Review by Carol Laing, pp. 30.
17:2— A Tale of Conflicting Desires: 'Remapping Tales of Desire' (A Space, Toronto). Review by Janet Creery, pp. 31-32.
17:3— 'Dismantling Invisibility.' Asian Artists Responding to the AIDS Crisis (A Space, Toronto). Review by Xiaoping Li, pp. 35-36.
17:4— 'Teledonna' (A Space, Toronto). Review by Janice Andreae, pp. 45-48.
18:2— 'Yoshiko Kanai: Moira' (A Space, Toronto). Review by Kyo Maclear, pp. 42-43.
21:3— Architectural Re-enactments -- 'Barry Isenor: XXX Video' (Mercer Union) and 'Steve McQueen: Deadpan' (A Space). Review by Kenneth Hayes, pp. 49-50.
26:4— 'Land without Soil, Art without Artwork' Interview with Ilana Salama Ortar and Stephen Wright. Interview by Sara Matthews and Hanadi Loubani, pp. 26-35. (available online)
26:4— 'Will' (A Space). Review by Naomi Binder Wall, pp. 41-. (available online)
27:1— Long Live Pussyboy!!! 'Trans Mission -- Get Your Motor Runnin: Works by Alec Butler' (A Space, Toronto). Review by Bobby Noble, pp. 41-43. (available online)
28:4— Cancer: A Metaphoric re/Vision: Aiko Suzuki's 'Bombard/Invade/Radiate' (A Space Gallery). Review by Pam Patterson, pp. 49-51. (available online)
29:1— The Gentrification of Gentrification and other strategies of Toronto's creative class. Artist project by Adrian Blackwell, pp. 28-37. (available online)
29:2— Representin': Black Artists Tell the Truth in 'I Represent'. Review by Rinaldo Walcott, pp. 33-35. (available online)
26:4— The Seeds of Disruption. Column by Mark Jones, pp. 20-23. (available online)
25:1— 21st Ramadhan, 1422 - 8th December, 2001. Column by Nuzhat Abbas, pp. 17-21. (available online)
20:1— Gifts and Cruelties of Displacement: 'Nothing to be written here' (Wendy Oberlander). Review by Nancy Pollak, pp. 35-36. (available online)
20:3— 1611. Column by Warren Arcan, pp. 11-14. (available online)
24:2— Writing To Legacy: Rachel Manley's 'Slipstream' And Ken Wiwa's 'In The Shadow Of A Saint' (Knopf). Review by Gamal Abdel-Shehid, pp. 44-46. (available online)
25:1— 9/11: Diary of a Suspected Hijacker. ShortFuse by Gamal Abdel-Shehid, pp. 51-52. (available online)
26:4— One, two, three...colonialism: Marwan Hassan's 'Velocities of Zero: Conquest, Colonization, and the Destruction of Cultures.' (TSAR press). Book Review by Gamal Abdel-Shehid, pp. 39-40. (available online)
22:4— When There Is No Limit To Spirit: 'Tall Orders: On the Spiritual in Art' (Propeller, Toronto). Review by Rozena Maart, pp. 53-55. (available online)
26:3— Self-preservation? A missed encounter between populist politics and cultural practitioners. Column by Ava Bromberg, pp. 10-12. (available online)
16:1— 'Fluid Exchanges: Artists and Critics in the Aids Crisis' ed. James Miller (University of Toronto Press). Book Review by Fadi Abou-Rihan, pp. 28-29.
28:4— Cri de Coeur: The 59th Avignon Theatre Festival. Review by Barry Edwards, pp. 46-48. (available online)
18:5— Among Ourselves, With Others (The Toronto Jewish Film Festival). Review by Sandra Haar, pp. 32-34.
27:4— On the Misrecognition of Images. Column by Amish Morrell, pp. 07-10. (available online)
17:3— 'In the Seam/En couture' (Access Art Now, Toronto). Review by Laura U Marks, pp. 42-43.
16:3— Review of the NFB's 'Radical Reels'. Review by Susan Lord, pp. 29-31.
17:1— 'Telling Relations': Sexuality and the Family (Grunt Gallery, Vancouver). Review by Lorraine Chan, pp. 26-28.
19:5— Life and life support systems: zines, nets and outlets by artists--the late '70s & some now. Feature by Judith Doyle, pp. 23-33.
16:1— 'Fluid Exchanges: Artists and Critics in the Aids Crisis' ed. James Miller (University of Toronto Press). Book Review by Fadi Abou-Rihan, pp. 28-29.
16:1— News and Events: Fighting back with Fashion. News by ki namaste, pp. 07-09.
22:2— Bored Bedmates: Art Criticism, Political vs. Critical. Feature by Gary Kibbins, pp. 35-42. (available online)
27:2— Reviving the Dead: Art and the Twentieth-century Hospital. Feature by Annmarie Adams, pp. 16-23. (available online)
20:4— Notes on 'Scoping Boys and Scoping Girls' (Gallery TPW). Review by Robert W.G. Lee and Lee Rodney, pp. 41-42. (available online)
21:3— 'Suggestive Poses: Artists and Critics Respond to Censorship' (TPW and Riverbank Press, Toronto). Book Review by Andy Fabo, pp. 54-55.
17:4— Talking Cock: Lesbians and Aural Sex an interview with Shonagh Adelman. Interview by Cynthia Wright, pp. 44-48.
17:4— 'Teledonna' (A Space, Toronto). Review by Janice Andreae, pp. 45-48.
18:2— 'Feminist Home Invasion' (Mercer Union, Toronto). Review by Jane Farrow, pp. 44.
19:1— The Chill Continues: Artists after Bill C-128. Column by Elaine Carol, pp. 12-17.
20:4— Notes on 'Scoping Boys and Scoping Girls' (Gallery TPW). Review by Robert W.G. Lee and Lee Rodney, pp. 41-42. (available online)
21:3— 'Suggestive Poses: Artists and Critics Respond to Censorship' (TPW and Riverbank Press, Toronto). Book Review by Andy Fabo, pp. 54-55.
19:4— Berlinale 1996. Review by Robin Curtiss, pp. 35-37.
19:1— Kill, Kill, La, La, La: Pop, Punk and the Culture Industry. Feature by Chris Wodskou, pp. 24-31.
18:1— Hair of the Dog? Perspectives on Artists of South Asian Descent in Britain. Feature by Sonali Fernando, pp. 16-25.
16:5&6— Taking Dictation. Feature by Stuart Blackley, pp. 51-52. (available online)
16:5&6— Working through Cultural Appropriation. Feature by Richard Fung, pp. 16-24. (available online)
28:3— Black Arts: An idea ahead of its time: 'Shades of Black: Assembling Black Arts in 1980's Britain' (Duke University Press). Book Review by Sunil Gupta, pp. 41-43. (available online)
24:4— The Politics of Curating. The Trouble with Normal: Queering Our Identities. Column by Elleni Centime Zeleki, pp. 16-18. (available online)
18:2— Agitative Propaganda. Feature by Miriam Patel, pp. 25-33.
26:2— 'Active Practices Symposium' (Agnes Etherington Art Centre): Impressions and Responses. Review by Yvonne Singer, pp. 41-44. (available online)
28:3— Persevering Realpolitik: A Conversation with Marie-Helene Cousineau of Arnait Video Productions. Interview by the Cache Collective, pp. 15-19. (available online)
18:1— 'The State of Asian America' (South End Press). Book Review by Xiaoping Li, pp. 28-29.
17:2— Mix: The 7th New York Lesbian and Gay Experimental Film and Video Festival. Review by Robert F. Reid-Pharr, pp. 43-44.
29:1— resistance Practices after Identity Politics: La Pocha Nostra's 'The Other Coalition Forces'. Review by Irmgard Emmelhainz, pp. 45-48. (available online)
19:4— Native Love: Subverting the Boundaries of the Heart (curated and developed by Nation to Nation, Saskatoon, 1996). Feature by Ahasiw Maskegon-Iskwew, pp. 24-43.
24:4— Venice Bienniale 2001. Review by Corinna Ghaznavi, pp. 40-41. (available online)
17:1— Black is Back! Toronto Festival of Festivals (1993). Review by Glace W Lawrence, pp. 33-36.
17:2— givin' props 2 da boyz: a black review of the Festival of Festivals (1993). Review by karen/miranda augustine, pp. 41-42.
18:3— Chomsky Speaks. Column by Husayn Al-Kurdi, pp. 11-14.
25:3— Selling Out? Who's Buying It? A FUSE roundtable on funding the arts. Roundtable by Kim Simon, Richard William Hill, and others, pp. 32-41. (available online)
22:3— Custody Battles: Changing the rules at the Canada Council. Column by Clive Robertson, pp. 36-45. (available online)
19:5— Pedro Alderete's Altars & Autotopographies: 'Call-777 Nganga (Oliver Bolton Studio). Review by David McIntosh, pp. 42-44.
16:4— No More Multivulturalism: Desh Pardesh Third Intra-national Festival and COnference. News by Kaushalya Bannerji, pp. 06-07.
17:2— 'Sounding Differences' (UTP) and 'Writers and Company' (Knopf). Book Review by Diana Bryden, pp. 36-37.
17:5&6— 'Music/Sound 1948-1993: The Michael Snow Project' (Alfred A Knopf). Book Review by Steve Reinke, pp. 50-51.
24:2— Writing To Legacy: Rachel Manley's 'Slipstream' And Ken Wiwa's 'In The Shadow Of A Saint' (Knopf). Review by Gamal Abdel-Shehid, pp. 44-46. (available online)
16:5&6— Dance Me Inside: Pow Wow and Being 'Indian'. Feature by Gail Guthrie Valaskakis, pp. 39-44. (available online)
25:1— The Wars: Tariq Ali on building anti-war movements, debating the 'civilization mongers' and narrating the history of Islam. Interview by Cynthia Wright, pp. 28-40. (available online)
28:1— 'Somewhere Elsewhere: Diasporic Visions of Space and Subject' (Worth Gallery, NM). Review by Laura J Kuo, pp. 05. (available online)
26:4— 'Will' (A Space). Review by Naomi Binder Wall, pp. 41-. (available online)
21:2— Art and Community in Argentina. Feature by Karl Beveridge, pp. 30-37.
25:2— Roundtable: The Fountain of Youth. A discussion about cash, culture and the currency of being young. Roundtable by Danielle Allan, Roxanne Elder, Nico Dann, and Kitty Mak, pp. 20-25. (available online)
23:3— 'Wink and Banter' (Allegy Gallery, Vancouver). Review by Annthea Whittaker, pp. 39-41. (available online)
24:4— 'Money Value Art: State Funding, Free Markets, Big Pictures' (YYZ Books). Review by Emily Andreae, pp. 42-45. (available online)
26:2— 'Active Practices Symposium' (Agnes Etherington Art Centre): Impressions and Responses. Review by Yvonne Singer, pp. 41-44. (available online)
16:3— Refusing Censorship. News by Kika Thorne, pp. 07-08.
17:1— Black is Back! Toronto Festival of Festivals (1993). Review by Glace W Lawrence, pp. 33-36.
29:2— Read Handed: 'Caught in the Act: an anthology of performance art by Canadian Women'. Book Review by Leah Sandals, pp. 39-41. (available online)
19:4— 'Straight Up' and the Politics of Boredom (Alliance Communications/Back Alley Film Production Ltd.). Review by Scott Treleaven, pp. 41-42.
22:3— 'Broken Entries: Race, Subjectivity, Writing' (Mercury Press). Review by Richard Almonte, pp. 51-52. (available online)
26:3— Subtitles: forever young. Artist project by Benny Nemerofsky Ramsay, pp. 24-27. (available online)
16:4— Joe Sarahan's ' 'Curse' of the 'Homo' ' (Pitt Gallery). Review by Glenn Alteen, pp. 45-46.
24:1— 'Live At The End Of The Century: Aspects Of Performance Art In Vancouver' (Visible Arts Society, Vancouver). Review by Johanna Householder, pp. 38-39.
19:1— We're Here, We're Queer . . . and We're Making Movies: Out on Screen Lesbian and Gay Film/Video Festival (Vancouver). Review by Karen X. Tulchinsky, pp. 41-43.
28:1— 'Somewhere Elsewhere: Diasporic Visions of Space and Subject' (Worth Gallery, NM). Review by Laura J Kuo, pp. 05. (available online)
22:2— Pop Off: The Regular 8 Faction (YYZ, Toronto). Review by John McCullough, pp. 47-49. (available online)
19:2— Wah and Wear 'Bill Burns and Marie-Paul MacDonald: Wearable Environments: Garments to Inhabit, Affordable Harrishomes to Wear' (471 Richmond Street W, Toronto). Review by Elizabeth Anderson, pp. 41-42.
17:2— Mix: The 7th New York Lesbian and Gay Experimental Film and Video Festival. Review by Robert F. Reid-Pharr, pp. 43-44.
27:1— Internationalism Begins at Home: Revisiting Modernism on the West Coast. Column by Adrienne Lai, pp. 10-15. (available online)
28:3— From Conceptual to Community Art: A Conversation with Carole Conde and Karl Beveridge. Interview by Craig Leonard, pp. 33-40. (available online)
24:1— 'Practice, Practise, Praxis: Serial Reception, Organizational Behaviour, and Strategic Action in Architecture' (YYZ books). Review by Emily Andreae and Janice Andreae, pp. 40-43.
24:4— 'Money Value Art: State Funding, Free Markets, Big Pictures' (YYZ Books). Review by Emily Andreae, pp. 42-45. (available online)
17:4— 'Teledonna' (A Space, Toronto). Review by Janice Andreae, pp. 45-48.
23:1— 'Material Matters: The Art And Culture of Contemporary Textiles' (YYZ Books, Toronto). Book Review by Janice Andreae, pp. 51-53.
23:2— 'Shadow States: Carol Laing' (Red Head Gallery, Toronto). Review by Janice Andreae, pp. 43-45. (available online)
24:3— breathtaking: Sue Lloyd's 'searchworks' (TPW) and 'chest cavity' (Red Head Gallery). Review by Janice Andreae, pp. 35-37. (available online)
20:3— Rencontre Performance: 'International Performance Festival' presented by Le Lieu (Cinecycle). Review by Johanna Householder, pp. 41. (available online)
18:5— Pornutopian Premises, Positive Practices: Michael Balser's Video Art and Activism. Feature by David McIntosh, pp. 21-27.
20:3— Commentaries on the McMichael Canadian Art Collection. Artist project by Stephen Andrews, pp. 18-19. (available online)
27:4— Calling all Co-conspirators -- Julie Andreyev's 'Greenroom' (Surrey Art Gallery, ECIAD). Review by Penny Leong Browne, pp. 43-46. (available online)
18:5— Pornutopian Premises, Positive Practices: Michael Balser's Video Art and Activism. Feature by David McIntosh, pp. 21-27.
19:2— The Art of Giving. Feature by Bruce Barber, pp. 21-28.
27:2— Looking Back while Moving Forward: A response to InFest: Artist Run Culture and the formation of a new national association of artist-run centres. Feature by Clive Robertson, pp. 26-36. (available online)
17:5&6— Maybe if I listen to the rain long enuf. Artist project by Terence Anthony, pp. 43-46.
18:2— Agitative Propaganda. Feature by Miriam Patel, pp. 25-33.
22:3— 'Made in Mexico/Made in Venezuela' (Art Metropole, Toronto). Review by Allan Antliff, pp. 49-50. (available online)
23:2— Money Lures The Mock: Richard Mock ('The Works' Arts Festival, Edmonton). Review by Allan Antliff, pp. 41-42. (available online)
18:4— Too Queer For Middle America? Reflection on InQueery, InTheory, InDeed: The Sixth North American Lesbian, Gay and Bisexual Studies Conference (Iowa City, Iowa). Column by ki namaste, pp. 26-29.
27:3— This Is Not an Exhibition: 'The Future of the Reciprocal Readymade (the use-value of art)' (Apexart, New York). Review by Carl Skelton, pp. 49-50. (available online)
28:3— Persevering Realpolitik: A Conversation with Marie-Helene Cousineau of Arnait Video Productions. Interview by the Cache Collective, pp. 15-19. (available online)
19:1— A Sign of Vandalism?. Artist project by Eduardo Aquino and Kathryn Walter, pp. 22-23.
28:3— Black Arts: An idea ahead of its time: 'Shades of Black: Assembling Black Arts in 1980's Britain' (Duke University Press). Book Review by Sunil Gupta, pp. 41-43. (available online)
22:3— 'Beclouded Visions: Hiroshima-Nagasaki and the Art of Witness' by Kyo Maclear (Albany: SUNY Press, 1999). Review by Lang Baker, pp. 53-55. (available online)
18:5— Pornutopian Premises, Positive Practices: Michael Balser's Video Art and Activism. Feature by David McIntosh, pp. 21-27.
22:3— 'Beclouded Visions: Hiroshima-Nagasaki and the Art of Witness' by Kyo Maclear (Albany: SUNY Press, 1999). Review by Lang Baker, pp. 53-55. (available online)
20:3— 1611. Column by Warren Arcan, pp. 11-14. (available online)
24:1— 'Live At The End Of The Century: Aspects Of Performance Art In Vancouver' (Visible Arts Society, Vancouver). Review by Johanna Householder, pp. 38-39.
26:3— IndianActs: Highlights, or how art history spanked me straight. Column by Donna Wawzonek, pp. 13-17. (available online)
16:3— Joyce Nelson's 'Sign Crimes/Road Kill: From Mediascape to Landscape' (Between the Lines Press). Book Review by Laura U. Marks, pp. 27-28.
16:3— Review of the NFB's 'Radical Reels'. Review by Susan Lord, pp. 29-31.
27:2— Looking Back while Moving Forward: A response to InFest: Artist Run Culture and the formation of a new national association of artist-run centres. Feature by Clive Robertson, pp. 26-36. (available online)
22:1— On the Outside Looking In?. Feature by Gabrielle Hezekia, pp. 28-35. (available online)
26:1— Addressing Infrastructure: Portable initiatives, collapsible forms. Feature by Craig Buckley, pp. 20-29. (available online)
27:3— Ellipsis and Insurrection: Argentina, Media, Experiment and Liberation. Feature by David McIntosh, pp. 18-29. (available online)
22:1— Representing Rights: The Symposium on the Artist and Human Rights, Ottawa. Review by Janet Creery, pp. 51-52. (available online)
24:3— Persistent Misses. ShortFuse by Jill Arie, pp. 40. (available online)
18:4— 'Teaching to Transgress: Education as the Practice of Freedom' (Routledge). Review by Rachel Ariss, pp. 42-43.
18:5— 'Mirror Machine: Video and Identity' (YYZ Books). Review by Steve Reinke, pp. 38.
25:2— 'Ultra Baroque: Aspects of Post Latin American Art' (AGO, Toronto). Review by Daniel Baird, pp. 45-48. (available online)
20:5— Biocolonization and Biopiracy: The Final Frontier. Feature by Jeannette Armstrong, pp. 17-19. (available online)
19:2— Where's the Fruit? 'Juicy Fruit' (Koffler Gallery, Toronto). Review by Andrew Harwood, pp. 44-45.
22:4— When There Is No Limit To Spirit: 'Tall Orders: On the Spiritual in Art' (Propeller, Toronto). Review by Rozena Maart, pp. 53-55. (available online)
21:4— Inuit Auteurs and Arctic Airwaves, Questions of Southern Reception.
Column by Laura U Marks,
pp. 13-17. (available online)
22:1— Letters to the Editor. Letter by various, pp. 10-11. (available online)
26:1— Addressing Infrastructure: Portable initiatives, collapsible forms. Feature by Craig Buckley, pp. 20-29. (available online)
28:3— Reflections of a Former Community Arts Officer. Column by Melanie Fernandez, pp. 09-14. (available online)
28:3— Persevering Realpolitik: A Conversation with Marie-Helene Cousineau of Arnait Video Productions. Interview by the Cache Collective, pp. 15-19. (available online)
17:3— 'They Write Their Dreams on the Rock Forever' (Talonbooks) and 'Bowl of Bone/Tale of the Syuwe' (NFB). Book Review by Gordon Brent Ingram, pp. 37-39.
28:3— Art and Cold Cash: A conversation between Patrick Mahon, Ruby Arngna'naaq, Sheila Butler, Jack Butler, and William Noah. Roundtable by Art and Cold Cash Collective, pp. 20-28. (available online)
16:4— Clamorous Intentions. Review by Andrew J Paterson, pp. 46-47.
23:2— Breaking Bread Over 'Foodculture' (YYZ Books, Toronto). Book Review by Renuka Sooknanan, pp. 48-53. (available online)
20:1— Topographies: Aspects of Recent BC Art, Reflections of Diversity and Institutional Reality. Column by Kuan Foo, pp. 07-9. (available online)
17:4— They demanded a witness. I wanted not to see. Shidane Abukar Arone.. Artist project by Melinda Mollineaux, pp. 20-21.
17:4— Ineluctable Studies: Collective Autobiographies of the Knowledge Class (five cultural studies anthologies). Book Review by Clive Robertson, pp. 34-36.
23:4— 'Private Thoughts/Public Moments' (AGO, Toronto). Review by Germaine Koh, pp. 43-44. (available online)
24:3— 'Other Conundrums: Race, Culture, and Canadian Art' (Arsenal Pulp Press). Review by Meera Sethi, pp. 38-39. (available online)
26:4— 'Will' (A Space). Review by Naomi Binder Wall, pp. 41-. (available online)
28:3— From Conceptual to Community Art: A Conversation with Carole Conde and Karl Beveridge. Interview by Craig Leonard, pp. 33-40. (available online)
28:3— On the Subject of Counting as an Advanced Skill. ShortFuse by FUSE, pp. 48. (available online)
22:2— 'James Williams: shift, change 1988-1998' (AGH, Hamilton). Review by Sherri Telenko, pp. 43-44. (available online)
23:3— 'alt.shift.control' (Art Gallery of Hamilton and NIIPA, Hamilton). Review by Sherri Telenko, pp. 35-36. (available online)
24:1— 'Sheila Butler: Sympathetic Magic' (Art Gallery of Mississauga and Mclaren Art Centre, Barrie). Review by Patrick Mahon, pp. 34-35.
16:3— Invested Interests: Competitive and Dysfunctional Autonomies within the Canadian Art System. Feature by Clive Robertson, pp. 12-22.
19:4— Art for a Nation?. Column by Lynda Jessup, pp. 11-14.
19:4— Lament for a Nation: The Racial Geography of the The OH! Canada Project. Feature by Rinaldo Walcott, pp. 15-23.
20:4— Up for Sale: The Commodification of Canadian Culture. Column by Katarzyna Rukszto, pp. 07-11. (available online)
21:4— The Magnifying Eye of Andy Warhol (AGO, Toronto). Review by Rosa Berland, pp. 56-58. (available online)
22:3— On the feasibility of becoming a household name. Column by Catherine Osbourne, pp. 15-17. (available online)
22:4— 'Waste Management' (AGO, Toronto). Review by Dana Samuel, pp. 49-50. (available online)
23:4— 'Private Thoughts/Public Moments' (AGO, Toronto). Review by Germaine Koh, pp. 43-44. (available online)
25:1— 'Canvas of War' (AGO, Toronto). Review by Kirsty Robertson, pp. 41-42. (available online)
25:2— 'Ultra Baroque: Aspects of Post Latin American Art' (AGO, Toronto). Review by Daniel Baird, pp. 45-48. (available online)
26:3— The Privatization of the AGO: Ken Thomson and the New Generosity. ShortFuse by Tony Rae, pp. 52. (available online)
27:2— The Revolution Will Be Televised: Stan Douglas' 'Hors-champs' (AGO, Toronto). Review by Andrew James Paterson, pp. 47-49. (available online)
27:2— Guarded Views: Robin Pacific's 'Uniform' (AGO, Toronto). Review by Vid Ingelevics, pp. 37-40. (available online)
28:3— From Conceptual to Community Art: A Conversation with Carole Conde and Karl Beveridge. Interview by Craig Leonard, pp. 33-40. (available online)
28:3— On the Subject of Counting as an Advanced Skill. ShortFuse by FUSE, pp. 48. (available online)
29:1— Negotiating Positionality: The Insides, Outsides, and In-Betweens. Column by Jessica Wyman, pp. 13-15. (available online)
29:2— With Open arms: Luis Jacob's 'Habitat'. Review by Ivan Jurakic, pp. 36-38. (available online)
29:2— Have you left the American Sector Yet? Ron Terada's Adventure in the 'City of Roses'. Column by Lee Rodney, pp. 08-12. (available online)
22:3— 'Made in Mexico/Made in Venezuela' (Art Metropole, Toronto). Review by Allan Antliff, pp. 49-50. (available online)
19:5— Ritual Practices: Projecting Art and Magic Across Borders. Feature by Deborah Root, pp. 14-22.
16:2— 'A Leap in the Dark: AIDS, Art and Contemporary Culture' ed Allan Klusacek and Ken Morrison (Artexte editions). Book Review by Paul Della Penna, pp. 36-37. (available online)
16:4— Shuttling Subjects through Space Histories: 4 books on artist-run history.
Book Review by Clive Robertson, pp. 31-34.
18:5— 'But is it Art? The spirit of Art as Activism' (Bay Press) and 'Sightlines: Reading Contemporary Canadian Art' (Artexte). Review by Clive Robertson, pp. 38-40.
20:4— 'Studiolo: The Collaborative Work of Martha Fleming and Lyne Lapointe' (Artextes Editions). Review by Camilla Griggers and Neil Tenhaaf, pp. 47-48. (available online)
27:1— 'Ingrid Bachmann: Digital Crustaceans v.0.2 Homesteading on the Web' (Articule, Montreal). Review by Jessica Carpenter, pp. 36-37. (available online)
27:2— Reviving the Dead: Art and the Twentieth-century Hospital. Feature by Annmarie Adams, pp. 16-23. (available online)
28:1— Patronage, Artistic License and Kissing the Rich Guy's Ass. Column by Marcus Miller, pp. 14-16. (available online)
26:3— Source: An Exhibition of Media Art Installations (Images Festival). Review by Daniel Baird, pp. 49-51. (available online)
26:4— 'Will' (A Space). Review by Naomi Binder Wall, pp. 41-. (available online)
28:2— Where is the 'Flipside' (Artist Space, NY). Review by Mira Friedlaender, pp. 41-44. (available online)
16:3— Invested Interests: Competitive and Dysfunctional Autonomies within the Canadian Art System. Feature by Clive Robertson, pp. 12-22.
27:1— Setting the Table: Collective bargaining for the visual arts. ShortFuse by Carole Conde, pp. 44. (available online)
21:2— Ceci n'est pas une archive: 'Browser' (Artropolis '97, Vancouver). Review by Caterina Pizanias, pp. 38-40.
28:3— Black Arts: An idea ahead of its time: 'Shades of Black: Assembling Black Arts in 1980's Britain' (Duke University Press). Book Review by Sunil Gupta, pp. 41-43. (available online)
29:1— The Gentrification of Gentrification and other strategies of Toronto's creative class. Artist project by Adrian Blackwell, pp. 28-37. (available online)
29:2— On the horizon (casting shadows): Vancouver art, economies and hte pitfalls of success. Review by Vanessa Kwan, pp. 45-47. (available online)
19:1— The Connective Tissue of Asianess: Asian Heritage Month (Toronto). Review by Indu Singh, pp. 36.
19:1— Not Just a Pretty Face: 'Corpus Loquendi: Body for Speaking-Body-Centred Video in Halifax 1972-82' (Oakville Galleries). Review by Steve Reinke, pp. 37-38.
27:3— Like Che. Column by Ingrid Mayrhofer and Nery Espinoza Quevedo, pp. 14-17. (available online)
22:2— The Sense in 'Yawning' (At Home Gallery, Slovakia). Review by Jo Williams, pp. 45-46. (available online)
24:1— You Say You Want To Fund The Revolution? Oh Well.... Column by Robin C. Pacific, pp. 13-16.
17:1— 'Ghost' (Gallery 76, Toronto). Review by Jennifer Rudder, pp. 30-32.
17:2— Multiplying Desires: A Discussion of 'Remapping Tales of Desire' (A Space). Review by Carol Laing, pp. 30.
17:2— A Tale of Conflicting Desires: 'Remapping Tales of Desire' (A Space, Toronto). Review by Janet Creery, pp. 31-32.
25:3— 'Thelma Rosner: STILL LIFE' (Glendon Gallery, Toronto). Review by Patrick Mahon, pp. 42-44. (available online)
17:5&6— 'Radio Rethink: art, sound and transmission' (Walter Phillips Gallery Press). Book Review by Ann Shin, pp. 47-48.
16:3— Gathering: The Memorial Project (A Space). Review by Christopher Eamon, pp. 40-41.
16:4— 'Black Popular Culture' A project by Michele Wallace, edited by Gina Dent (Bay Press). Review by karen augustine, pp. 29-30.
17:2— Breaking Crackers: A Conversation with Peter Hudson. Column by karen/miranda augustine, pp. 45-46.
17:2— Multiplying Desires: A Discussion of 'Remapping Tales of Desire' (A Space). Review by Carol Laing, pp. 30.
17:2— givin' props 2 da boyz: a black review of the Festival of Festivals (1993). Review by karen/miranda augustine, pp. 41-42.
17:3— The Last of the African Americans: An interview with Danny Tisdale. Interview by karen/miranda augustine, pp. 44-47.
22:4— Auchwitz in the Age of Mass Tourism: An interview with Robert Jan van Pelt. Interview by Kenneth Hayes, pp. 34-38. (available online)
18:5— 'But is it Art? The spirit of Art as Activism' (Bay Press) and 'Sightlines: Reading Contemporary Canadian Art' (Artexte). Review by Clive Robertson, pp. 38-40.
28:3— Persevering Realpolitik: A Conversation with Marie-Helene Cousineau of Arnait Video Productions. Interview by the Cache Collective, pp. 15-19. (available online)
21:2— To Knit the Country with Iron Bars: Art and Politics in Contemporary Turkey. Column by Deborah Root, pp. 20-27.
18:1— 'Miscegenation Blues: Voices of Mixed Race Women' (Sister Vision Press). Review by Honor Ford-Smith, pp. 30-31.
26:4— The Seeds of Disruption. Column by Mark Jones, pp. 20-23. (available online)
