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This issue of FUSE connects the politics of identity, food and representation.
Continue Reading...This anniversary edition of FUSE brings together a selection of thirty pieces: articles, interviews, reports and reviews from the past twenty years. Contributors include heavy hitters Dot Tuer, Bruce Barber, John Greyson and Sara Diamond.
Continue Reading...In this issue, we address topographies, geographies and social space, and advance our interrogation of nationalism and difference over current events.
Continue Reading...In this issue Aoife Mac Namara’s feature article on Wilie Doherty, Daniel Yon’s interview with British cultural theorist Kobena Mercer and Katarzyna Rukszto’s column on the selling of Canadian culture, the pertinent issues of representation, race, nation, colonial histories and community are problematized and critically reflected on.
Continue Reading...In this issue of FUSE we encourage oozing. Some may see us as victims of our own hedonistic wound-licking. In this issue, writers, performers, comic artists, and students indulge in confessional narratives, licking to their hearts’ content.
Continue Reading...The concerns and positions of the articles that FUSE has published over the last twenty years are always diverse. This issue of FUSE is no different. Articles ranging from the consideration of art practices in Turkey and Argentina; to articles discussing the challenges that exhibiting artists must deal with; to articles investigating the tensions between ethnic absolutism and hybridity in Native cultures; to the return of performance art; to book reviews, CD reviews and reviews of various festivals, this issue of FUSE is filled with considerations of various communities.
Continue Reading...It seems appropriate to preface any given interview with a caveat in the spirit of Magritte: This is not a spoken conversation. An interview is a translation from spoken to written word and ultimately must succeed in the latter form.
Continue Reading...In keeping with FUSE’s tradition of covering the arts and their cultural context, this issue considers how a sense of place and location is now dominated by an all-consuming surge toward globalization. A dislocation of artists’ practices ensues from these conditions.
Continue Reading...At this time of year when temperatures are at their lowest and the sun peeks only half-heartedly over the southern horizon, many minds and some bodies in Canada turn to the south. At the same time, many people in the Caribbean look longingly, if ambivalently, toward North America. The International Monetary Fund and other branches of global capitalism’s police force have fostered large-scale un- and underemployment in the Caribbean, and have torn mercilessly at what little safety net existed.
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